彭宣维. 叙事话语的社会生态效应——基于科幻小说《地狱》的评价解读[J]. 外国语, 2019, 42(4): 92-102.
引用本文: 彭宣维. 叙事话语的社会生态效应——基于科幻小说《地狱》的评价解读[J]. 外国语, 2019, 42(4): 92-102.
PENG Xuanwei. Socio-Ecological Efficacies of Narrative Discourse: An appraisal approach to the science fiction Gehenna[J]. Journal of Foreign Languages, 2019, 42(4): 92-102.
Citation: PENG Xuanwei. Socio-Ecological Efficacies of Narrative Discourse: An appraisal approach to the science fictionGehenna[J].Journal of Foreign Languages, 2019, 42(4): 92-102.

叙事话语的社会生态效应——基于科幻小说《地狱》的评价解读

Socio-Ecological Efficacies of Narrative Discourse: An appraisal approach to the science fictionGehenna

  • 摘要:本文从意义生成角度讨论叙事话语的社会生态效应,出发点是系统功能语言学的三元功能,个案是科幻叙事文本《地狱》。作者试图说明:《地狱》从非同寻常的多维角度讲述故事,构拟出一个离奇怪异的概念符号世界,是非生态的,但旨在确立一种到多种社会价值观念,以对立统一的方法解说相应的个体异化与社会行为的共生现象,体现的是一种非生态意义,却可能存在积极生态动机;而组织上述经验和人际意义的独特方式,具有添加新的主位化与信息化的作用,由此为语言资源提供累增契机,产生积极生态价值。最后,作者就系统功能语言学途径的生态话语研究范围与识别标准以及今后的研究方向给出了己见。

    Abstract:This paper discusses the socio-ecological efficacy of narrative discourse from the semogenic perspective.The theoretical vantage point is the three metafunctions of language categorized by Systemic Functional Linguistics (SFL), and the illustrative text is a narrative discourse titled Gehenna.It argues that, in Gehenna, the ideational semiotic world created there is odd and fantastic from alternative ways of story telling, the purpose of which is, however, to enact one or more than one social value to account for the dialectic symbiosis of individual alienations and social behaviours.Meanwhile, the unique way of text organization of the above two aspects of meaning has the significance of adding new ways of thematization and informationalization, which provides an opportunity to increase the linguistic resources.It follows that the socio-ecological motive of a narrative text is multi-functional and cannot be simply claimed to be positive or negative in ecologicality.The paper concludes with the scope and observation criteria of ecolinguistics and envisions its future research prospects from the SFL perspective.

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