朱立刚. 从句法—韵律接面关系的视角看连上变调问题——以“老李买好酒”为例[J]. 外国语, 2017, 40(1): 66-76.
引用本文: 朱立刚. 从句法—韵律接面关系的视角看连上变调问题——以“老李买好酒”为例[J]. 外国语, 2017, 40(1): 66-76.
ZHU Ligang. A Syntax-Prosody Interface Perspective of the Consecutive 3rd Tone Sandhi—Take Lao Li Mai Hao Jiuas an Example[J]. Journal of Foreign Languages, 2017, 40(1): 66-76.
Citation: ZHU Ligang. A Syntax-Prosody Interface Perspective of the Consecutive 3rd Tone Sandhi—TakeLao Li Mai Hao Jiuas an Example[J].Journal of Foreign Languages, 2017, 40(1): 66-76.

从句法—韵律接面关系的视角看连上变调问题——以“老李买好酒”为例

A Syntax-Prosody Interface Perspective of the Consecutive 3rd Tone Sandhi—TakeLao Li Mai Hao Jiuas an Example

  • 摘要:汉语的上声变调,尤其是短语及以上层面的多个上声组合在表层上会出现一定的多样性。事实证明,连上变调除了受语音环境的影响,还牵涉到句法、韵律等相关因素,故在语言学界广受关注(Cheng 1973;Chao 1968;Chen 2000)。五音节短句“老李买好酒”可谓连上变调的一个典型范例,生成音系各学派都曾以此为语料进行分析,并提出边界深度原则、分支条件、音步构建等理论。在此基础上,本文以句法-韵律接面关系为视角,采用优选论(OT)分析模式,将韵律音系学的终端思想(Selkirk 1986,1995,2009)运用到变调域构建中,通过调整与接面相关的制约条件等级排序的方式对此类问题进行统一解释。

    Abstract:The sequence of Mandarin third tone sandhi above the phrase level always takes flexible forms.It turns out to be correlated with not only phonetic contexts, but also various factors including syntax and prosodic structure.It has also been widely studied in the field of linguistics (Cheng 1973; Chao 1968;Chen 2000).The five-syllable phrase Lao Li Mai Hao Jiuis a typical case studied by various schools and different principles are proposed, e.g.Syntactic Boundary Depth, Branch Condition and Foot Formation Rules.Based on previous works, the present article deals with this case from the perspective of syntax-prosody interface and within the framework of Optimality Theory, accommodating End-based approach (Selkirk 1986, 1995, 2009) to the study of tone sandhi domain.It is held that this kind of issue could be well accounted for via adjustment of the ranking hierarchy of interface related constrains.

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